Holidays are one of the best times to take pictures. You’re in a new location, everyone is (hopefully) relaxed and you’ll want to be sure you capture it all for prosperity. Heading off on your holidays soon? Ensure your camera gear is safe, secure and easy to carry with one of these eight bags and cases.
I thought it’d be fun to ask some of the other photography fanatics around the office to share what their essential accessories for holiday photography are. Here’s what we love…
Lowepro have recently extended their hugely popular range of bags by introducing a new line of backpacks designed specifically for DSLR videographers and based on their award winning Fastpack series.
When I heard that Lowepro were adding a range of optics bags that included a backpack specifically designed to give wildlife watchers a “hands-free, protective and supportive way to carry a large spotting scope and tripod in the field”, I was immediately interested.
For me, it’s all about size and convenience, which is where the Lowepro Pro Runner 200 AW fits in perfectly. Whilst appearing small from the outside, unzip the Pro Runner 200AW and you have your very own personalised Tardis.
The first thing I noticed was how light the Kata Bumblebee DL-210 is – just over 1kg (2lbs for those who still measure everything in bags of sugar).That does leave it feeling a little less robust, but Kata are a company founded by two ex-members of Israel’s elite special forces so the emphasis is on hi-tech materials.
Photographers probably already know about Lowepro, who produce a large range of quality camera bags. Well, they have now also added an optics range of bags designed for those who mostly use binoculars or spotting scopes and I recently got the chance to test their Field Station, a belt-pack designed to give you a hands-free and comfortable way to carry your binoculars and other birding gear.
In today’s photographic environment where photographers may have to carry a range of camera, video and computer gear and turn their hand to more than just taking pictures, a modular system that can be adapted on a shoot by shoot basis makes perfect sense, so it’s no surprise that Lowepro have revamped their Street and Field gear in the form of the new S&F Series.
Once upon a time if you wanted a camera bag you had to choose which type suited you best; a rucksack or a shoulder bag? Then, sling-bags came along that offered the benefits of both. With less than a week until I was due to take my children to Disneyland Paris, I still hadn’t sorted out how I was going to carry my camera gear. Then, as if conjured up by magic, an email arrived in my inbox asking if I’d review the Lowepro SlingShot 302 AW. Eureka!
In the “Why I love my…” articles we will be asking photographers to tell us about a specific piece of equipment that they have developed a strong bond with and whose presence has improved their photographic experiences. It might be a near perfect combination of form and function that is to be put up on a pedestal and worshipped, or a flawed and challenging device that requires a fair bit of effort to wrangle the best out of, but whose companionship is essential. Here, Ben Weeks tells us why he loves his Lowepro DryZone 100 backpack.