How to use hides for wildlife photography

Canvas Dome Hide

Any wildlife photographer will tell you that long lenses are only half the battle when aiming to create beautiful images of wildlife. Fieldcraft and patience play a large part in producing stunning imagery, and often this will include working from a hide.

Hides come in all shapes and sizes but they all have the same purpose: to keep the photographer out of sight and blend them in with the surrounding environment. They reduce disturbance for the intended subject whilst giving the photographer the perfect view, in order to create close-up images.

Using hides can be a brilliant way to improve your wildlife photography but there is far more to using them than just sitting and waiting. This guide will give you an introduction to using them effectively in the field.

Types of hides

Before you head out into the field, it's important to first understand the different types of hides that are available:

Canvas/Dome hides - These are basically tents that have been adapted for photography. They are easy to move and reposition, and can be set up and put away easily. They are perfect for short- or medium-term projects and can be found in a range of sizes and styles.

Wooden hides - Many nature reserves opt for these as they are strong and long-lasting. They are often left for long periods of time to allow nature to become accustomed to them. If you are thinking about a long-term photographic project using a wooden hide may be the best option.

Floating hides - One specialist type of hide that photographers may often use is a floating hide. They allow a photographer to work on top of water and slowly make their way closer to waterfowl and wading birds.

Cars - Cars offer a fantastic way to get close to wildlife. Using them as a hide, you can sit and wait in position, and get far nearer to nature than would be otherwise possible. As wildlife is often accustomed to the sight of cars they will accept them readily into their environment.

Bag hides/scrim - Bag hides and scrim netting work by disrupting the outline of the photographer, blending them in with the environment to make wildlife feel less wary. They are easy to use, fast to put up and highly adaptable.

Positioning hides

Low-level Dome Hide

When working with hides positioning is everything. Setting up a hide efficiently will result in far better images too. There are a number of things to take into account and all should be considered carefully before placing a hide:

Research - When embarking on a project, make sure to do your research. Find a good location where your intended subject visits often and where a hide can be positioned easily and efficiently.

Permission - Most hides will be used on private land so make sure you have the land owner's permission before setting up. Most will be happy to help and offering a few mounted/framed images in return can be a good way of repaying the favour.

Lighting - As with all photography, lighting is vital. When setting up a hide it's important to check how the light will move as the day develops. Use a compass and map to work out where the light will fall, which will help you to set up striking images.

Background - After working out the lighting and setting up where your subject will appear, take time to look at the background. Remove any distracting branches (with permission) and create a clean and distraction-free backdrop for your images. Time spent now will result in less time spent processing at the computer!

Take a break - After setting up, let the hide have time to stand before getting inside to produce some images. Wildlife takes time to become accustomed to new features in their environment so don't expect quick results! Check on the hide periodically to keep tabs on the amount of activity, and when it is regular get in position to take your images.

Persistence - Keep at it. Just because your subject didn’t turn up on the first day doesn’t mean the hide is in the wrong position. Be persistent and keep coming back. The best images take time to produce - don’t be disheartened because it didn't work first time!

Kestrel

After three weeks of setting up my location and watching I spent 16 hours waiting for this kestrel to drop down in front of my hide

 

Capturing images

Once you are happy with the position of your hide and the activity of your subject is regular, you now can set about working on creating striking images. If you are, for example, working on photographing garden birds, you won’t just want them on feeders, so place aesthetically pleasing branches to the sides of your feeders for more natural results. After working on these for a few days/weeks you can simply alter the setup by changing the perches to old spade handles and garden tools for a totally different look to your photographs.

The fantastic thing with using hides it that once a subject is used to a location you can alter the feeding platforms/background of the image to produce a whole range of images in the same place. Careful planning to begin with in addition to a creative mind can produce untold numbers of new and innovative images from the same location!

Hides are a truly brilliant way to get closer to nature, as they allow you to sit comfortably and get close to subjects that often will not tolerate you in their environment. Of course, the other huge advantage is that a purpose-built dome hide will set you back around £200, compared to the four-figure expense of a new super telephoto lens. If you need some help to get started working with hides, Wex sells a number of pre-made versions that are available for purchase off the shelf. They are easy to assemble and can be positioned within a matter of minutes.

So what are you waiting for? Get to work on developing your own photographic hide location and with a little bit of effort, careful planning and persistence you will soon be getting closer to nature than ever before!

 

About the Author

Tom Mason is an up-and-coming wildlife and nature photographer based in Hertfordshire where he frequently visits a number of local nature reserves including Rye Meads and Amwell. You can see more of his work on his blog.

 

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