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The Canon EF 8-15mm f/4L Fisheye USM is the first fisheye zoom lens offering a choice of full frame or circular image. It is a full frame fisheye lens for cameras with 35mm, APS-H or APS-C sensors plus circular fisheye option for cameras with 35mm sensors. High quality images are delivered by an UD lens and an aspherical lens. It features a reduction in ghosting and flare with the SubWavelength Coating (SWC) and super spectra coating. More
Circular or full frame Fisheye zoom lens
There’s no need to buy two specialist lenses when the EF 8-15mm f/4L Fisheye USM offers, either full frame or circular fisheye images when used with cameras with a 24x36mm (full frame) sensor. For photographers shooting with DSLR’s with a smaller sensor, full frame fisheye images are possible. With a 180 diagonal field of view, capturing the whole scene in a single image has never been easier.
The L-series is Canon's flagship professional lens range, representing the best in precision-designed EF optics. L-series lenses combine superior performance with superlative handling, and are highly resistant to dust and moisture.
Fast, quiet auto focus
A ring USM (Ultrasonic motor) uses ultrasonic frequency vibrations to drive extremely rapid auto focus with near-silent operation. A high-speed CPU and optimised AF algorithms contribute further to AF speed. Full time electronic manual focus override is available without having to switch out of AF mode.
Enhanced image quality with SWC coating
Designed for use in digital photography, Canon’s patented Subwavelength structure coating helps minimise the ghosting and flare caused by internal reflections. By eliminating the cause, the coating reduces reflections and helps to deliver crisp, clear images.
Easier lens cleaning
The foremost and rearmost lens surfaces are treated with a Fluorine Coating which enables the easier cleaning of the lens surface compared to existing coatings.
(based on 15 reviews)
of respondents would recommend this to a friend.
Reviewed by 15 customers
Displaying reviews 1-10
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(1 of 1 customers found this review helpful)
Great effect on images, a must-have
By Marie the Photographer
About Me Professional
Comments about Canon EF 8-15mm f4.0 L USM Fisheye Lens:
This lens is great for music photography and any occasion where you want some unusual and intense images. I took it on a trip around the City and shot some buildings with it. Also great in low lighting conditions.Always wanted a fish eye lens in my kit and had a cheaoer version that doesn't at all live up to the Canon.Can't fault it at all.
Bottom Line Yes, I would recommend this to a friend
Images shared by Marie the Photographer
The Gherkin, London
Tags: Made with Product
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Justifies using Canon system in one lens
About Me Hobbyist/Enthusiast, Professional
I use this on both my 7D and 6D, I get great results from both. For the 6D (full frame) then forget the hood.
Superlative fisheye lens - best in class
from West Yorkshire
This is a fantastic lens, for both cropped and full-frame sensor Canon DSLRs. I've used a variety of prime fisheyes in the past, but this surpasses them all for sharpness, CA and consistency across the whole image.This was bought for shooting 360x180° panoramic photographs, but has become a standard go-to lens which is kept in my bag for almost all occasions, as it provides excellent image quality and great coverage in a range of scenarios. Considering the wide FOV of the lens, it's also good at keeping lens flare to a minimum in direct sunlight.The only real downside, as others have alluded to, is that the lens cap is somewhat flimsily attached to the lens… which can be a concern for a curved piece of glass like this! It also doesn't have a native Adobe Camera Raw profile (for Photoshop & Lightroom) to temper the distortion, but this can be manually configured.If you're looking for a rock-solid fisheye lens which can be used for a wide range of jobs, from action sports to interiors, this delivers in spades. It is also the definitive lens for shooting 360° panoramas. Highly recommended!
(0 of 1 customers found this review helpful)
By bob l
About Me Hobbyist/Enthusiast
(3 of 4 customers found this review helpful)
Much more versatile than a prime fisheye
Fantastically fun new take on how the world can appear. If you have access to both crop sensor and full frame sensor/film then there are a wealth of possibilities with this lens.You do need to be acutely aware of the front element which cannot be protected by a filter, especially as the close focus point is at 15cm from the sensor, meaning approx 1cm from the front element.The lens hood only seems to be of any use at 15mm.When used on APS-C sensor, the zoom limiter prevents very dark corners, there is a bit of light fall off, but there is no view of the lens internals.I find the most useful zoom range on a ff body is either 8mm for full circular view, and 14-15mm the points in between are still useable but I find I want to crop off the corners. It is expensive and fish eye images always will divide opinion, composition is very difficult as the lens captures so much, but it is so much fun trying to make those images.
(2 of 2 customers found this review helpful)
another Canon winner
By Snapper Mick
Excellent lens superb optics but I can't stress enough how vulnerable the front element is. It produces all you would expect from an 'L series' lens; including excellent pictures of your feet if you are not careful. I use the lens as an advanced hobbyist and am very satisfied with the images I get and I am learning its capabilities daily. Ok so its a specialist lens and very expensive but you get what you pay for. Sensible purchase for an amateur? probably not but oh boy is it good. Again WATCH THAT VERY EXPENSIVE (AND VULNERABLE) FRONT ELEMENT.
About Me Getting started
Great fun looking for new perspectives. Good glass out lasts the digital camera bodies which rapidly evolve.
Awesome & fun
By Cheeky Monkie
This lens is awesome in bright daylight. Having just visited the Maldives, this is probably the most used lens I took. The contrast achieved even taking shots into direct sunlight are amazing.Images are sharp and full of detail.The attached images are totally un-edited.
Images shared by Cheeky Monkie
Tags: Using Product
Quirky but fun
You can get a unique perspectives using this lens but it is tricky to find a strong composition as the distortion limits compositional choices. As many other people say, the lens is fun to use, you will find yourself working new angles that you just could not use with other lenses.The lens cap isnt particularly firmly held on the lens, so care needs to be taken.
Canon EF 8-15mm f4.0 L USM Fisheye
Another tasty bit of bottle from the Neasden boys, this one with a front end the width of your hand and so deep and dark you could sink your arm in it up to the elbow. Sporting a smart paint job featuring the L-type red band and white lettering on a black lens barrel, it comes with the Canon signature notched lens hood and a clip on cap proudly displaying the maker's name that fits over it without having to reverse the hood – which doesn't reverse in any case.Neck hung, the camera sits perfectly balanced and pointing forward with this lens mounted, ready to grab anything within around 15 feet – there is massive depth of field and of course autofocus. Bearing in mind the extent of cropping that can be done without apparent loss of image quality, that should do for most scenes, news work and street 'art'. It's a dab hand at landscapes too.There's a snazzy window in the top of the barrel showing the focusing scale and the auto/manual focus switch is found to the left of that. Over to the right is a similar switch labelled 'Limit,' which stops the zoom at about 10 mil on the short end [16mm equivalent on 35 mm film on this camera]. This is because anything wider on some cameras – including my Eos 600D – starts to vignette due to the size of the sensor [smaller than 35mm film format], and there's no point in allowing that to happen as you'll only have to spend hours on the computer cropping the images to hide it. If I understood the paperwork correctly – and no man reads that twice – some other cameras may record a circular fisheye image at wider zoom focal lengths, depending on the size of their sensors, and others may allow full frame at the same short focal lengths. Coming from a time when you knew what to expect from every focal length because all cameras were 35mm, I don't pretend to understand this stuff until I've done lots more reading, and I don't think I'll do that as it could lead to spending large amounts on a top level camera body.On the Canon EoS 600D that this lens is used with, the 35mm film format equivalent focal length is 13-24mm and as I still have my ancient A-1, T 90, 24mm f2.8 FD L and long experience of using a company 16mm Nikkor on an F3 High-point, comparisons are easily made. With the Limit switch turned on, the lens zooms no wider than 10mm, the equivalent of that 16mm Nikkor from years gone by, but it does appear the level of image distortion is less – the uprights seem less curvy until you get in really close. At its longer extreme of 15mm [24mm on 35mm film], it makes as tidy a wide angle as the original 24mm FD and a good everyday working lens, albeit a lot bigger and costly. It's the variety you pay for, of course.The lens comes with a grey suede lens case with reinforced bottom and drawstring top that makes for a top class fashion accessory but, as always, is impractical when keeping the lens ready for use in a working gadget bag. Give it to the wife for a make-up bag or whatever…
Included Accessories: Front and rear caps, Lens hood, Lens case
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